Everything Is Better Now

This is the apex—the moment just before thought dissolves into sensation. Two hands buried, wrist-deep, the hole stretched and welcoming, the body past resistance and into complete acceptance. The point of view is intimate, almost cinematic, as though the viewer floats outside themselves, watching not from the outside but from the edge of bliss.

The drawing captures that strange peace that follows surrender—not the beginning of the act, but the climax of yielding. There’s no tension left, only fullness, breathlessness, and the quiet voice inside that finally whispers, everything is better now.